“ Herbert Bayer, the brilliant graphic designer whose posters and signs helped give the Bauhaus its identity, worked for the Nazis in the mid-’30s.
A brochure he designed was distributed internationally and meant to lure people from all over the world to
see the Fuhrer’s achievements. Later in life, when Bayer was known for ski posters generated from
his office in Aspen, Colo., he would comment only
on the use of duotone technique and other formal elements of his work celebrating life under the Nazis.
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